Independent Research

Ted Talks: How movies teach manhood








Ted Talks: Technology


The research presented in this talk demonstrates the effect and consequences of media exposure on the mind.
Dimitri Christakis describes how we are technologising children today in a way that is extraordinary. In 1970, the average age that children began to watch television regularly was 4 years of age. Today, based on research, the average age is 4 months. Also, children are watching television for very long durations of time at a young age; the typical child under the age of 5 is watching on average of 4.5 hours per day. Dimitiry states that the more television a child watches before the age of three, the more likely they are to exhibit attentional problems at school age, and for every hour they watched before the age of three the chances of them having attentional problems at school age increased by about 10%.




MacBook Pro review:
Apple upgraded its entire range of notebooks with the mid-2012 refresh. Although the 15-inch MacBook Pro with Retina display has grabbed most of the headlines, the entry-level 13-inch MacBook Pro shouldn't be overlooked. The two new 2012 13-inch MacBook Pros retain the same form factor used by the previous generation, which was released in late 2011. Once again, we get a unibody enclosure milled from a single block of aluminium. This is far stronger and lighter than if it were built from separate parts.

Read more: http://www.techradar.com/reviews/pc-mac/laptops-portable-pcs/laptops-and-netbooks/13-inch-apple-macbook-pro-1041142/review











Additional movies for my film companies
Paramount Pictures
The Godfather
Transformers Mission: Impossible
Marvel Cinematic Universe
Iron Man
Indiana Jones
Star Trek
Madagascar
Kung Fu Panda
Paranormal Activity
Friday the 13th

Entertainment Film Distributors
Million Dollar Baby
Starstruck
2 Days in the Valley
Donimo
Pink Flamingos
Cellular Inkheart
Hoot


Camera Shots, Angle and Movement
Shots: 
Establishing shot
Sets up or establishes the context for a scene by illustrating the relationship between it's important figures and objects. 







Master shot
A film recording of an entire dramatised scene, from an angle that keeps all characters in view.

Close-up shot
Tightly frames a person or an object. Displays the most detail but does not broader the scene.




Mid-shot 
Shot from a medium distance. In between close-up and long shot. Used mainly for wanting to see both body language and facial expressions. 



Long shot (also Wide/full shot)
Shows the entire object or human figure and is usually intended to place it in some relation to it's surroundings. 



Two shot
The frame encompasses a view of two people, typically used to show the emotional reactions between the subjects. 



Aerial shot
Usually shot with a crane or attached to a special helicopter to view large landscapes. 


Point of view shot
A short film scene that displays what a character is looking at which is represented through the camera. 

Over the shoulder shot
A shot of someone or something taken from the perspective or camera angle from the shoulder of another person. Can be an image or a film. 


Angles:
High angle 
When the camera angle is located above the eyeline. 




Low angle
When the camera angle is positioned low on the vertical axis, anywhere below the eyeline, looking up. 


Canted angle
A type of camera shot where the camera is titled off to one side so that the shot is composed with vertical lines at an angle to the side of the frame. 


Movement:
Panning
The rotation in a horizontal plane of a still camera or video camera. 

Tilt
A cinematographic technique in which the camera is stationary and rotates in a vertical plane. 

Track/dolly/crane
The camera is mounted on a camera dolly, a wheeled platform that is pushed on rails whilst the picture is being taken. 
Zoom
An unsettling effect that undermines normal visual perception. Can be filmed or edited. 


The television uses these camera shots, angles and movements to encode the media in various different ways. Just by changing the angle, you can portray significance and superiority to the audience. By choosing different camera shots, you can create empathy and sympathy. By changing the movement, you can create tension or even relax the audience. These various different conventions of the media create different moods which are compatible with their scene and this is one of the main ways that the television encodes television to give it meaning - without meaning we wouldn't be interested in watching it!

1 comment:

  1. The research presented in this talk demonstrates the effect and consequences of media exposure on the mind.
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